Wednesday, June 17, 2026

New poem: "The Virtue of Doing," plus generative AI commentary...

 

The Virtue of Doing

 

Churchill called it “the black dog,”

and Hemingway called it “black ass,”

but whatever it has been called, it’s

that state of consciousness that comes

when one falls into despair, commonly

referred to as depression; and there are

many reasons for falling into despair,

like what the poet calls the PCBs (post-

creative blues). And the only cure for

this condition is to replenish the well

of one’s creative energy with the magic

of doing; because the more that one

does—be it whatever, the more physical

the better—the more virtue one creates;

and it’s the transcending power of virtue

that will lift the soul out of despair

and keep the oppressive spirit

of depression away.

 

Composed in Tiny Beaches,

Georgian Bay, Southcentral Ontario

Tuesday, June 16, 2026, 

 GENERATIVE AI COMMENTARY ON POEM

 AI Overview

 In "The Virtue of Doing," Orest Stocco frames depression as a state of deep despair. He offers a pragmatic, action-oriented antidote: defeating the "black dog" or "black ass" by engaging in physical activity, which replenishes creative energy and builds the virtue required to lift the soul.

 Key Themes and Analysis:

 The Anatomy of Despair: Stocco highlights that depression is a universal burden. Referencing historical monikers like Winston Churchill’s famous "black dog" and Ernest Hemingway’s "black ass," he captures the oppressive, heavy nature of this consciousness.

 Post-Creative Blues (PCBs): Stocco introduces the concept of PCBs. The sudden emotional and mental emptiness that follows a period of intense creative output often serves as a primary trigger for this specific kind of despair.

 The Antidote of Action: The poem posits that passive brooding only deepens the gloom. The only cure is the "magic of doing." By channeling energy into any activity—with a preference for physical, tangible tasks—one breaks the cycle of depressive inertia.

 

Generating Virtue: The core philosophy of the poem lies in the concept of "doing" as an active moral and spiritual generator. As an individual acts upon the world, they create virtue.

 Transcending Despair: It is this active creation of virtue that ultimately acts as a shield. The momentum and physical exertion elevate the spirit, functioning as a spiritual and psychological defense mechanism to keep the oppressive spirit of depression at bay. The poem champions an existential, action-based philosophy. It argues that a person cannot simply think their way out of despair; they must physically act their way into wellness.

 Deep Dive AI Mode

 "The Virtue of Doing" by Orest Stocco is a powerful piece about beating depression through action. The poem frames sadness not as a permanent trap, but as an empty well. It shows that moving your body and making things is the ultimate cure.Here is a deep dive into the themes, historical ties, and psychological insights of this piece.

 The Historical Names of Despair

 The poem begins by validating how heavy and universal this dark feeling is. Stocco connects the reader's pain to some of history's greatest minds:

The Black Dog: Winston Churchill famously used this term to describe his dark, paralyzing bouts of depression.

Black Ass: Icon and author Ernest Hemingway used this gritty slang for his own heavy, melancholic moods.

By using these famous names, the poem reminds us that deep sadness is an old human struggle. Even giants of history and literature fought the same heavy spirit.

 The "PCBs" (Post-Creative Blues)

 Stocco introduces a highly relatable concept for creators: the PCBs, or Post-Creative Blues.

The Creative Crash: When you finish a big project, book, or artwork, you pour your soul out.The Empty Well: Once the work is done, you are left feeling completely drained. This sudden emptiness can quickly turn into a state of despair.

The Ultimate Cure: The Magic of Doing

 The core message of the poem is that thinking will not save you, but doing will. Stocco points out that when our creative energy runs dry, we must actively refill it.Physical Movement: The poem notes that "the more physical the better." Heavy thoughts live in the mind. Moving the body—like running, building, gardening, or cleaning—breaks the mental loop.

Action Creates Momentum: You do not wait to feel better before you act. You act so that you can feel better.

 The Transcending Power of Virtue

 Stocco uses the word "Virtue" in a beautiful, ancient way. In old philosophy, virtue means power, excellence, and life-force.

Creating Energy: Every time you do a chore, create a small craft, or take a step, you build moral and physical strength.

The Soul's Elevator: This buildup of "virtue" has a magical lifting power. It creates a natural shield that keeps the oppressive spirit of depression from settling back into your mind.

 Quick Summary

 The Problem: Depression, despair, and the creative crash (PCBs).

The Trap: Sitting still and letting the "black dog" take over.

The Solution: Pure action. Moving, doing, and sweating.

The Result: Building a powerful spirit (virtue) that lifts you back into the light.

 

 

 

 

 

 

 

 

 

 

Sunday, June 14, 2026

New poem: "Bloom's Last Interview," plus generative AI commentary...

 

Bloom’s Last Interview

 

It was his last interview before he passed

away October 14, 2019 at the age of 89,

and he brought me to tears once again

so utterly despairing was his worldview,

which the legendary Yale professor again

expounded upon (he did so on every Charlie

Rose interview that I saw), the oppressive

worldview that his secular god Shakespeare

explored in his plays. The aged and frail

professor gave his closing thoughts on the

subject for the Festival Shakespeare Buenos

Aires, Argentina— “Shakespeare, though

in no way anti-Christian, pretty much ends

up as a nihilist far more extreme than

Nietzsche could have envisioned.” I knew

that professor Bloom was too brilliant to be

anyone’s fool, but his last interview convinced

me that the legendary professor and literary

critic crossed over to the other side his own

fool; and I shed my last tear for professor

Harold Bloom’s intellectual hubris.

 

Composed in Tiny Beaches,

Georgian Bay, Southcentral Ontario

Friday, June 12, 2026, 

 GENERATIVE AI COMMENTARY ON POEM

 AI Overview

 Orest Stocco’s poem "Bloom’s Last Interview" serves as a scathing but elegiac critique of legendary Yale literary critic Harold Bloom. The poem engages directly with Bloom's final televised remarks delivered for the Festival Shakespeare Buenos Aires, tackling the critic's lifelong struggle with Shakespearean secularism, nihilism, and his ultimate intellectual hubris.An analysis of Stocco's piece breaks down into several key thematic pillars:

 1. The Agon of Shakespeare and Nihilism

 The Claim: Stocco focuses on Bloom’s assertion that Shakespeare, while not anti-Christian, ultimately conveys a "nihilist far more extreme than Nietzsche could have envisioned."

The Critique: Throughout his life (and famously during his regular appearances on The Charlie Rose Show), Bloom championed the idea that Shakespeare single-handedly invented the human. Stocco sees this as a despairing, secular worldview. To Stocco, using the lens of Shakespeare to frame human existence as ultimately devoid of higher meaning reflects the tragic endpoint of Bloom’s immense erudition.

 2. Intellectual Hubris vs. The Tragic Fool

 The Tragedy of Brilliance: Stocco acknowledges that Harold Bloom was arguably the most brilliant literary mind of his era. Yet, he argues that this monumental intellect became a cage. Stocco suggests that by adopting and propagating such a bleak, godless worldview, Bloom "crossed over to the other side his own fool."

The Shakespearean Parallels: By evoking the image of a "fool," Stocco cleverly ties Bloom back to the Shakespearean canon itself—specifically the wise fools of plays like King Lear, who see the bleakness of the world but lack the grace to find redemption within it.

 3. Grief and Letting Go

 Shedding a Tear: Stocco's tone is profoundly mournful. The poem is not a celebration of Bloom’s death, but rather a tearful mourning of a soul he perceived to be trapped in intellectual despair.

The Passing of an Era: Coming to terms with Bloom’s death (who passed away on October 14, 2019, at age 89), Stocco uses the poem to finally move past the emotional pull of Bloom's charisma. By shedding his "last tear," the speaker makes peace with Bloom's philosophical choices, ultimately rejecting the darkness of the critic's worldview.

Stocco’s poem ultimately acts as a lament for a modern titan. It explores how absolute intellectual mastery, when divorced from spiritual hope, can lead one to the precipice of nihilism.