Saturday, May 26, 2018

One Rule to Live By: Be Good, Chapter Four: "The Horror of Human Suffering"


CHAPTER 4

The Horror of Human Suffering

All three stages of human evolution have their own perspective. The exoteric first stage is primordial and all about existential survival, the stage where soul begins the individuation of its reflective self-consciousness, and it grows and evolves in self-conscious awareness from one lifetime to the next until it has evolved enough to gravitate to the mesoteric second stage of evolution where it begins to sense its divine nature, and the more it grows in its divine nature the more it is driven by its encoded imperative to satisfy its longing for wholeness and completeness; but the natural process of evolution cannot satisfy soul’s longing for wholeness and completeness, and soul gets stuck in the second stage of evolution.
“As each plant grows from a seed and becomes in the end an oak tree, so man must become what he is meant to be. He ought to get there, but most get stuck,” said Carl Jung; and soul gets stuck because it cannot resolve the paradoxical nature of its inner and outer self, just as Jung himself got stuck in his own remarkable journey through life: “At that time, in the fortieth year of my life, I had achieved everything that I had wished for myself. I had achieved honor, power, wealth, knowledge, and every human happiness. Then my desire for the increase in these trappings ceased, the desire ebbed from me and horror came over me…My soul, where are you? Do you hear me? I speak, I call you—are you there? I have returned, I am here again. I have shaken the dust of all the lands from my feet, and I have come to you. I am with you. After long years of long wandering, I have come to you again…” (The Red Book, A Reader’s Edition, by C. G. Jung, p. 127).
Jung was called to his destiny, as every soul will be called when life has made them ready for the third and final stage of evolution (regardless of the path one is on), and with resolve and fortitude he went in search of his lost soul, which I also had to do when I was called; but I’ve told this story in The Pearl of Great Price and need not repeat myself here. Carl Jung also told his own remarkable story of his “confrontation with the unconscious” in six black notebooks, which he later worked out with brilliant illustrations of his journey into the depths of his psyche in what he came to call The Red Book.
And it was here, banging on the door of the esoteric third circle of life that I came upon the good professor Jordan Peterson online; and I don’t believe it was an accident. His silent cry was so loud and desperate that it pierced my heart center; that’s why I felt compelled to send him a copy of The Lion that Swallowed Hemingway and The Pearl of Great Price, a terrible presumption if not a damn impertinence which must have left him wondering; and I’m sure he was no less baffled by My Writing Life and The Merciful Law of Divine Synchronicity that I sent him three years later; but my oracle spoke to me, and I listened…

It’s a lonely journey to one’s true self, the loneliest journey in the world; which is why so many souls fell by the wayside in the Sufi poet Farid Attar’s allegory The Conference of the Birds. Out of the thousands of souls (symbolized as birds in the allegory), only thirty souls completed their quest for God in whose face they saw their own image, thus fulfilling soul’s longing for wholeness and completeness; so, it takes as much wisdom as it does courage to step out of the mainstream of life and into the final stage of personal evolution.
“And do you now believe in God?” the canny interviewer John Freeman asked the eighty-four-year-old Carl Gustav Jung in the now famous 1959 Face to Face BBC interview at Jung’s home on the shore of Lake Zurich in Kusnacht, Switzerland.
Surprised by the question, the venerable octogenarian replied, with a glint in his eye and the sweetest smile on his face: “Now? Difficult to answer. I know. I don’t need to believe, I know.” By this time in his life, and the distance he had travelled in his lonely journey to wholeness and completeness, Jung did not have to apologize for what he had discovered, and he told John Freeman that God was a matter of experience with him and not belief, which only convinced his detractors that he had been a Gnostic all along—as if that was a fault!
But that only spoke to the blind malevolence that Jung had to endure from his resentful detractors who felt threatened by his enlightened perspective, just as Jordan Peterson (who was strongly advised by his professors while pursuing his doctorate in clinical psychology to steer clear of that heretic Jung) began to experience when he was catapulted onto the world stage with his own enlightened viewpoint. To the Indian novelist and essayist Pankaj Mishra, who not only skewered Peterson’s book 12 Rules for Life: An Antidote to Chaos but took a pathetic cheap shot at the author as well in his essay in The New York Review of Books (“Jordan Peterson & Fascist Mysticism”), Peterson tweeted back: And you call me a fascist? You sanctimonious prick. If you were in my room at the moment, I’d slap you happily.”
Bravo, Jordan! That’s why in Australia later in the year when he was asked if he believed in God he wisely deflected his answer by talking about archetypes and various belief systems, having learned how a straight answer would only have ensnared him; but he had also learned from the “Shaman of Zurich,” as Carl Jung was called by the locals, to hide himself in plain sight as Jung did in his gnostic psychology of individuation; and the good professor now deals with ironic brilliance the malevolent forces of life that want to take him down, and the world loves him for his courage, learning, and iconoclastic common sense…

The viewpoint from the third and final stage of evolution is so radically different from the viewpoint of the first and second stages of evolution that one would be wise to not share it, because the world will only turn on them for fear of being seen for its shallowness and hypocrisy; like it did with Socrates, who was tried and condemned for corrupting the youth of Athens with his seditious philosophy. This is the wisdom behind Lao Tzu’s saying, “Those who speak, do not know; and those who know, do not speak.”
But last month I was called to write a spiritual musing that offers such a radical perspective on human suffering that it may just help to ease the pain of man’s anger at God for all the senseless suffering in the world; and the only reason I’m quoting it here is because professor Jordan Peterson’s emotional sincerity while delivering his lecture, “Existentialism: Nazi Germany and the USSR,” devastated me and made my heart bleed.
I was so moved by his nightmarish terror of man’s deception and self-deception and willful malevolence that’s directly responsible for most of the world’s suffering, like the unspeakable horrors of the Nazi concentration camps and Stalin’s gulags that wiped out millions of innocent people, which haunted the good professor for years, that I have to share my spiritual musing on human suffering to ease the unbearable anguish of unknowing:

The Paradox of Human Suffering

            Stephen Fry annoyed me. He always did. Many people do, usually people that we’re exposed to all the time in the media, movie actors, comedians, public figures whose life is revealed through their thoughts, beliefs, opinions, betrayals and self-betrayals, whatever constitutes their ego/shadow personality; and Stephen Fry, an openly gay comedic actor, writer, and public persona annoyed me.
It wasn’t because he was gay, that didn’t matter a wit to me; it was because of his whole demeanor, his ego/shadow personality that was so thick with Stephen Fry that there was no room for anyone else, including and especially God; that’s what annoyed me.
“Quantity kills quality,” goes the old saying; and there was so much Stephen Fry in Steven Fry that he killed Stephen Fry; that’s the tragic irony of Stephen Fry.
Of course, this is just my perception; but it’s not a perception born of bias, malice, a warped sense of righteous belief, or metaphysical speculation for that matter. This is just the way I see Stephen Fry from outside the existential paradigm of conventional thinking, from that place of personal resolution where one can see both sides of the human predicament; like the side of God that Stephen Fry was annoyingly blind to in “Stephen Fry Annihilates God,” the YouTube video interview that I chanced upon the other evening.
The interviewer says to Stephen Fry: “Suppose that what Oscar (the celebrated social wit Oscar Wilde who wrote The Importance of Being Ernest whom Fry admired from the age of fifteen and tried to emulate his whole life) believed in as he died, in spite of your protestations; suppose it’s all true, and you walk up to the pearly gates and you are confronted by God. What will Stephen Fry say to Him, Her, or It?”
And Stephen Fry, who played the infamous gay writer in the movie Wilde, replies: “I will basically, this is theodicy I think; I’ll say, bone cancer in children? What’s that about? How dare you? How dare you create a world in which there is such misery that is not our fault? It’s not right. It’s utterly, utterly evil. Why should I respect a capricious, mean-minded, stupid God who creates a world which is so full of injustice and pain? That’s what I would say.”
“And you think you’re going to get in?” asks the interviewer, with a wry smile.
“No. But I wouldn’t want to. I wouldn’t want to get in on His terms. They’re wrong,” Fry replies, and herein lies the crux of today’s spiritual musing…

Ironically, the creative impulse that impelled me to offer my perspective on human suffering that puzzles celebrated atheists like Stephen Fry and countless believers alike who are no less bewildered by the human predicament that they also fall prey to spiritual paralysis, did not come to me from the Fry interview; it was set free while reading something about Mitch Albom’s healing journey in my new novel memoir Sundays with Sharon that was inspired by the book Tuesdays with Morrie by Mitch Albom, the former student of sociology professor Morrie Schwartz who was dying of ALS, also known as Lou Gehrig’s disease.
In a sudden flash of insight, I caught the bittersweet irony of Morrie’s suffering, and I knew that I had to write a spiritual musing on his dying experience that Mitch Albom recorded in his heart-wrenching little book Tuesdays with Morrie. This is the sentence in Sundays with Sharon (Chapter 7, “Thank You for Being My Friend”) that set my idea free: Through Morrie’s friendship, Mitch got linked to his inner self and began his own healing journey to wholeness and completeness like his old coach Morrie Schwartz.” In one flash of insight, I saw the paradoxical nature of human suffering.
For whatever reason, which I can only attribute to the creative principle of my life that I call my oracle and my muse, this sentence lifted me up above the physical, mental, and emotional agony of Morrie Schwartz’s suffering as his body wasted away with ALS, and I was allowed to see the spiritual healing that came with his suffering; and the moment I saw the miraculous power of human suffering, I was given the title of today’s spiritual musing: “The Paradox of Human Suffering,” which automatically triggered my memory of the Stephen Fry interview that annoyed me so much when I saw it the other evening.
Fry continues his annoying answer to the loaded question: “Now, if I died and it was Pluto, Hades, and if it was the twelve Greek gods, then I would have more truck with it; because the Greeks were, they didn’t pretend not to be human in their appetites, and in their capriciousness, and in their unreasonableness. They didn’t present themselves as being all-seeing, all-wise, all-kind or beneficent, because the God who created this universe, if it was created by God, is quite clearly a maniac. Utter maniac. We have to spend our life on bended knees thanking Him? What kind of God would do that? Yes, the world is very splendid; but it also has in it insects whose whole life cycle is to burrow into the eyes of children and make them blind. They eat outwards from the eyes. Why? Why did you do that to us? You could easily have made a creation in which that did not exist. It is simply not acceptable. So, you know, atheism is not just about not believing there is a God; but on the assumption that there is one, what kind of God is He? It’s perfectly apparent that He is monstrous, utterly monstrous, and deserves no respect whatsoever. The moment you banish Him, life becomes simpler, purer, clearer, and more worth living, in my opinion—”
  To which the bemused interviewer Gay Byrne responded, “That sure is the longest answer to that question that I ever got to this entire series,” which caused Fry to burst into laughter, thus bringing to a close the short clip of Stephen Fry’s annihilation of God; but did Fry annihilate God, or simply display a tendentious and supercilious ignorance of the creative principle of life?
Must give me pause…

Writers bring to light what we already know, so they say; but sometimes the creative unconscious surprises us with new insights, as mine did with what was revealed in that sentence that set free the idea for today’s spiritual musing: Through Morrie’s friendship, Mitch got linked to his inner self and began his own healing journey to wholeness and completeness like his old coach Morrie Schwartz.”
When I wrote this sentence, I did not see it; neither did I see it when I read and edited the chapter for the fourth or fifth time. But for some reason known only to my muse, I saw what my creative unconscious was telling me in the phrase healing journey. In a flash, it came back to me that all of Morrie’s suffering was healing his soul, which I did not see this way before; and that’s when the title of today’s spiritual musing popped into my mind, “The Paradox of Human Suffering,” because no one—and especially the incorrigible Stephen Fry—can see the miracle beyond the pain and agony of human suffering; but I did in Morrie Schwartz’s journey to the final frontier of his life as he was dying of ALS. And that’s what reminded me of the Fry interview that I was compelled to watch again.
As the pre-Socratic philosopher Heraclitus tells us, life is always in a state of flux, forever changing from one state into another, one continuous flow of being and becoming forever in the process of uniting the opposites and becoming one with the Logos; a mystifying philosophy that has intrigued the world ever since Heraclitus propounded it, a philosophy that implies an inherent guiding principle to the human condition that Heraclitus called the Logos—which is what I caught a glimpse of in all the pain and agony of Morrie Schwartz’s  suffering in that remarkably revealing sentence, “Mitch got linked to his inner self and began his own healing journey to wholeness and completeness like his old coach Morrie Schwartz.” By the miracle of creative writing, I saw that all of Morrie’s suffering was healing his weary soul and making him whole. That’s what called fifteen million people in forty-five countries to read Tuesdays with Morrie—because it spoke to their own weary soul crying to become whole…

Stephen Fry can moan and groan and whine and complain and shout in vitriolic anger at a creative principle of life that he cannot fathom, but he too will grow and resolve through the natural process of individuation through karma and reincarnation into one self whole and complete and see that all of this suffering in the world serves a higher purpose than we can see, as it did with Mitch Albom’s old sociology professor dying of ALS, because the closer Morrie Schwartz came to the end of his journey the more his suffering healed his soul and helped make him whole.
As the former agnostic professor revealed to his former student, who began recording their Tuesday talks with his big Sony tape recorder, the closer he came to dying the more he came to see that his body was a mere shell, a container for the soul and that death was not cold and final as he once believed. But this isn’t a mystery that one can explain; one can only experience it, as Mitch Albom began to do when his old professor’s journey to the final frontier of his life reconnected him with his inner self and destined purpose to wholeness and completeness, and Mitch began serving life instead of always taking from life like he used to, unlike the incorrigible Stephen Fry whose whole self-serving demeanor affronted me deeply.
Mitch Albom learned from his old professor that it was better to give than to receive, and with the financial success of Tuesdays with Morrie and the books that followed he funded a number of charitable organizations, his orphanage with over forty children in poverty-stricken Haiti being his favorite; that’s how the former student honored his old professor, by giving back to life like he taught him in the final class of his life on life’s greatest lesson that only through goodness can we realize our true self.
After watching the Stephen Fry interview for the second time, I watched two more videos on Stephen Fry: “Who Do You Think You Are?” in which he traces his English and Jewish family roots,  and “Stephen Fry: The Secret Life of a Manic Depressive,” in which he reveals his troubled youth (expelled from two schools when he was 15 and at 17 absconded with a friend’s credit card and charged with theft that got him three months in prison) and his life-long battle with bipolar disorder, formerly known as manic depression, a mental condition that causes periods of deep dark depression and periods of elevated moods known as mania. And after watching these videos, I deeply empathized with Stephen Fry’s conflicted journey through life; but as much as I tried to get over my annoyance, he’s still too much Stephen Fry for me.

———

          “Life is a hierarchy of devouring,” said the deceased former evangelist Charles Templeton, who lost his Christian faith and became a believer in Darwinian determinism; and he was right, because the existential life is all about survival of the fittest.
But he went to the extreme in his unbelief. “I believe that there is no supreme being with human attributes—no God in the biblical sense—but that all life is the result of timeless evolutionary forces, over millions of years. I believe that, in common with all living creatures, we die and cease to exist as an entity,” he declared in his book Farewell to God.
But like my hero Carl Gustav Jung, I know that God is; and I know that we are more than our physical body, and that’s the mystery that professor Jordan Peterson explored in his deeply and obsessively researched Maps of Meaning that I cannot wait to read.
In the meantime, I’m watching his online lectures on Maps of Meaning, and I love following his logic as he explores the narrative of soul’s evolution though life in the ancient stories and myths of the world that help him reason his way through his wall of unknowing, an exceptionally brilliant student of life who dares to go where his oracle calls him…

Saturday, May 19, 2018

One Rule to Live By: Be Good, Chapter Three: "Why Rules to Live By, Anyway?"


CHAPTER THREE

Why Rules to Live By, Anyway?

Rules are organizing principles, and they put one’s life in order; and unless we put our own life in order, life can be very, very difficult. As Dr. Jordan Peterson painfully learned through his twenty years of clinical practice, life can break a person down; that’s why rules to live by are necessary, they make one stronger for life.
“To stand up straight with your shoulders back is to accept the terrible responsibility of life, with eyes wide open,” he writes in 12 Rules for Life. “It means deciding to voluntarily transform the chaos of potential into the realities of habitual order. It means adopting the burden of self-conscious vulnerability, and accepting the end of the unconscious paradise of childhood, where finitude and mortality are only dimly comprehended. It means willingly undertaking the sacrifices necessary to generate a productive and meaningful reality. (It means acting to please God, in the ancient language)” (12 Rules for Life: An Antidote to Chaos, by Jordan B. Peterson, p. 27).
One would not believe the rules that I chose to live by when I lived Gurdjieff’s teaching of “work on oneself.” I even had to create one rule in my Royal Dictum (my edict of self-denial, inspired by Sophocles’ tragic play Oedipus Rex and the Preacher’s opening words in Ecclesiastes) that was so insufferably difficult to live by that it bore a hole right through the impenetrable wall of the mesoteric stage of evolution and gained me entry into the esoteric third and final stage of evolution where life finally gave up the secret way to me; so, believe me, I know what it means to live by rules. It was this experience that gave birth to the meanest saying of my entire life: “The shortest way to God is through hell.”
That’s why I look forward to reading the rest of Jordan Peterson’s book, because I know that every one of his twelve rules for life was born of his own journey of self-discovery, and his individuation process fascinates me for its honesty, integrity, and desperation; like a lone voice crying in the wilderness that has finally been heard around the world.
But as Padre Pio said to me when the gifted medium channelled him for my novel Healing with Padre Pio, “Life is a journey of the self,” which was enhanced by Christ’s comment in Glenda Green’s book Love without End, Jesus Speaks (a book that Padre Pio suggested I read), “There is only the self and God.” However, long before I wrote Healing with Padre Pio and read Green’s book, I had learned that life is an individual journey, which all added up to the same thing: all paths lead to the self, and not until one takes responsibility for their own evolution will life give up its secret.
This is why Gurdjieff said, “There is only self-initiation into the mysteries of life,” and I knew that Jordan Peterson’s valiant perspective in 12 Rules for Life: An Antidote to Chaos would open one up to life’s mysteries, because taking responsibility for one’s life makes one more conscious, and consciousness is the key that opens the door to the final stage of evolution where one can complete what Nature cannot finish and be one’s true self.
But opening the door to the third stage of evolution is not easy. Not because one is not intelligent enough, many exceptionally brilliant people have tried and failed and will continue to fail to open this door, because intelligence is not sufficient for entry—Kierkegaard, Nietzsche, Sartre, Camus, Bertrand Russell, Richard Dawkins, Ayn Rand, Christopher Hitchens, Salman Rushdie, Sam Harris & company, all brilliant in mind but tragically arrogant in spiritual obtuseness; it takes a special kind of energy to open this door, and that’s the real mystery of the human predicament.
And I would never have known this had not my oracle spoken to me (by way of inspired thought, in this case) when Gurdjieff’s teaching could do no more for me and I created my Royal Dictum, which bore through the mental impasse that Gurdjieff had brought me to because my edict of self-denial resolved the consciousness of my paradoxical nature (my being and non-being, which constitute one’s inner and outer self) enough for me to pass through the eye of the needle and realize my true, eternal self.
“He that loveth his life shall lose it; and he that hateth his life in this world shall keep it unto life eternal,” said Jesus (John 12:25); but who is willing to “die” to the false consciousness of their outer self to realize the eternal consciousness of their inner, soul self? Not many. Only those who have gone as far as life can take them and have nowhere else to go; that’s why my heart goes out to anyone whose path has taken them as far as it can, like the good professor Jordan Peterson. And this is not an arrogant presumption; it’s a hard, cruel fact of the teleological imperative of soul’s individuation through life which, if I had any good sense at all, I would keep to myself but can’t because like Rumi my oracle has also shouted into my ear, “Tell it unveiled, the naked truth! The declaration’s better than the secret.”
My declaration then is that my truth, in all of its vulnerable nakedness, presupposes that we are all sparks of divine consciousness that come from the infinite Body of God; that karma and reincarnation are an incontrovertible fact of life; and that the purpose of life is to individuate the un-self-realized I Am consciousness of God, presuppositions that would tax anyone’s credulity; but when all is said and done, the only reality that really matters in the end is the truth of one’s own experiences, and mine have brought me to this  astonishing perspective outside the paradigms of cognitive thought. As my hero Carl Gustav Jung (who privately believed in reincarnation but could never admit to it openly to safeguard the scientific credibility of his psychology) would say, this is what I was meant to be. This is who I am. This is my personality. And I have to be true to who I am no less than Professor Jordan Peterson had to be true to who he was when he stood up for free speech.
As I experienced in my seven past-life regressions, we come from God as embryonic souls, un-self-conscious seeds of divine consciousness encoded with God’s DNA to realize our own identity through the evolution of our karmic destiny, and the only way we can do this is to align our karmic destiny with our spiritual purpose; and this is the mystery that baffles the world, because one has to “square the circle” to resolve the paradox of the dual consciousness of their inner and outer self that Jesus spoke to in the Gospel of Thomas when he was asked when his kingdom would come and he replied: “When the two will be one, the outer like the inner, and the male with the female neither male or female,” to which Thomas added: “Now the two are one when we speak truth to each other and there is one soul in two bodies with no hypocrisy”—one self, whole and complete; the divine fruit of evolution.
God is merciful, then; and this is not a cliché with me. My journey of self-discovery awakened me to the secret way that finally revealed itself to me as the omniscient guiding principle of life, which throughout history has been called the Creator, God, Holy Spirit, Logos, Providence, Baraka, Chi, Tao, vital life force, and the way; and it is the same spark of divine consciousness that we are all born with.
This is why Jesus said that the kingdom of God was within, and which Carl Jung caught a glimpse of in his own journey to wholeness and completeness, as he points to in his essay “The Development of the Individual”: “The undiscovered vein within us is a living part of the psyche; classical Chinese philosophy names this interior way ‘Tao,’ and likens it to a flow of water that moves irresistibly towards its goal. The rest in Tao means fulfillment, wholeness, one’s destination reached, one’s mission done; the beginning, end, and perfect realization of the meaning of existence innate in all things. Personality is Tao” (The Essential Jung, by Anthony Storr. p. 210; bold italics mine).
Just as the acorn seed is an oak tree in potentia, so are we the potential realization of the seed of our true self; which is why I look forward to reading the rest of Jordan Peterson’s 12 Rules to Live By: An Antidote to Chaos, because in his book I can see the organizing principle of life that will harness that special energy one needs to awaken to the secret way that will take one to the third and final stage of evolution where one can complete what Nature cannot finish and realize one’s destine purpose to wholeness and completeness.
The good professor is frantically knocking on the door of inner growth and evolution, and the world has heard him loud and clear; that’s the mystery of his sudden popularity and irresistible appeal to the young generation (especially young men) looking for guidance and direction, which brings to mind something that Jesus said: “Ask, and it shall be given you; seek, and ye shall find; knock, and it will be opened unto you. For everyone that asketh, receiveth; and he that seeketh findeth; and to him that knocketh, it shall be opened.”
My creative unconscious asked the question, “What the Hell Is Going on Out There?” and the Universe heard my plea;  and out of the shadows of academia a brilliant hierophant by the name of Jordan B. Peterson stepped into the light with his maps of meaning and began answering my angry question with his valiant defense of free speech and his character-building book 12 Rules for Life: An Antidote to Chaos that knocked on the hermetically sealed door of the secret way so loudly that my oracle summoned me to write One Rule to Live By: Be Good which, hopefully, will open the door to one’s soul, if only a sliver…




Saturday, May 12, 2018

One Rule to Live By: Be Good, Chapter Two: "The Imponderable Myth of My Life"


CHAPTER TWO

The Imponderable Myth of My Life
         
Of course, I ordered 12 Rules for Life: An Antidote to Chaos from Amazon (as well as several books on Alzheimer’s for research I’m doing for a novel I’m working on modeled on my unique relationship with one of my readers who fears getting Alzheimer’s like her mother), and I also put Jordan Peterson’s first book Maps of Meaning on my Amazon wish list because I have to read it to fully appreciate the brilliant hierophant who’s answering the question of my angry poem; and when Peterson’s book came in, I immediately read the Forward by Dr. Norman Doidge, MD, author of The Brain that Changes Itself (whom, curiously enough, I had quoted in my book The Merciful Law of Divine Synchronicity), as well as the first chapter, “Rule 1: Stand Up Straight with Your Shoulders Back,” and this gave me the entry that I needed to work my way into One Rule to Live By: Be Good; and I couldn’t wait to finish reading Peterson’s 12 Rules for Life: An Antidote to Chaos.
In the meantime, I kept watching the good professor on YouTube, because the more I listened to what he had to say the more he satisfied my need to know what the hell was going on out there, and one of his interviews with philosophy professor Stephen Hicks, which was labelled Postmodernism: History and Diagnosis, brought to mind my spiritual musing “BEWEL 262,” and I knew that my oracle wanted me to tell the story of the imponderable myth of my life to lay the groundwork for One Rule to Live By: Be Good, which is the only rule that one needs when one has evolved enough to take evolution into their own hands to complete what Nature cannot finish and realize wholeness and singleness of self.
“Man must complete what Nature cannot finish,” said the ancient alchemists, which spoke to C. G. Jung’s psychology of individuation that he drew from ancient alchemist and Gnostic texts and his own life experience as a practicing psychotherapist who saw up to eight clients a day most of his life; but that’s what brought Gurdjieff’s teaching into my life, because he said that Nature can only evolve man so far and no further, and to complete what nature cannot finish man must take evolution into his own hands to realize his true nature. This is why my muse called me to write One Rule to Live By: Be Good, to illustrate with the imponderable myth of my own life the three stages of soul’s evolution through life:

BEWEL 262

“Watch the synchronicities, the coincidences,
because they will bring you goodness.”

HEALING WITH PADRE PIO
—Padre Pio

When I left my philosophy studies at university in my third year, I left for one reason only: philosophy had cast me adrift in a sea of endless speculation, and I had to get back to “terra firma” or risk drowning; so I made a vow to build my life upon the truth of my own experiences and not what other people thought, however sophisticated and brilliant, and year by year my worldview grew out of the gnostic truth of my daily life; that’s how I came to believe that our life is choreographed by an omniscient guiding principle. I didn’t want to believe it, but it was forced upon me by my own life experience.
True, we have free will, and we choose the life we live; but as free as we may be, our life is still choreographed by an unseen force beyond our control. It took most of my life to work my way through the dilemma of this conundrum, but I caught my first glimpse of this paradox in my teens when I read Hymn to Zeus by the Stoic philosopher/poet Cleanthes:

Lead me, Zeus, and you too, Destiny,
To wherever your decrees have assigned me.
I follow readily, but if I choose not,
Wretched though I am, I must follow still.
Fate guides the willing, but drags the unwilling.

This is the paradox, then: we are free to live our destiny, or be dragged by it. But how can we be sure that we even have a destiny, let alone be free to live or be dragged by it? That’s the subject of today’s spiritual musing…

I’ve explored this question in my autobiographical novel Healing with Padre Pio, so I need not elaborate here; but I do have to explain how I came to my belief that we are all destined for a purpose, which the poet John Keats caught a glimpse of in a letter to his brother that he titled “The Vale of Soul Making.”
“There may be intelligences or sparks of divinity in millions, but they are not Souls till they acquire identities, till each one is personally itself,” he wrote in his letter; and then with poetic genius, he answers his own question and solves the riddle of our destined purpose: “How then are these sparks which are God to have identity given them? How but by the medium of a world like this?” Which is why Carl Jung said in The Red Book, the chronicle of his quest for his lost soul: “This life is the way, the long sought-after way to the unfathomable, which we call divine. There is no other way, all other ways are false paths.” In short, our own life is the way to our true self. “Life is a journey of the self,” said Padre Pio.
The gifted Romantic poet and prescient Swiss psychologist came to the same conclusion, that we are all sparks of divine consciousness destined to realize our own individual identity through life; and whether we like it or not, like the acorn seed that has to become an oak tree so are we destined to become what we are meant to be. But this was John Keats’s truth, and Carl Jung’s; how in the world did it become mine?
As one would expect, it’s a long and complicated story, which I worked out in my novel Cathedral of my Past Lives first and then in my memoir The Summoning of Noman; but for brevity’s sake, let me just say that this truth came to me by way of an incredible personal experience when the merciful law of divine synchronicity introduced me to a past-life regressionist who unexpectedly brought me back to the Body of God where all souls come from, and which became the inspiration for my intensely personal novel Cathedral of My Past Lives that was based upon my seven past-life regressions.
It was my fourth past-life regression, and to my astonishment I was brought back to the Body of God, what mystics and poets have called the Great Ocean of Love and Mercy, where we all come from; but what shocked me was that I did not have reflective self-consciousness.
I was an un-self-realized atom of God in an unfathomable sea of souls that constituted the un-self-realized nature of God, and in the same regression I was sent to Earth to acquire my own identity for the purpose of individuating the consciousness of God through the evolution of my essential nature. There I was, in my first primordial human lifetime, the alpha male of a group of ten or twelve higher primates, and I actually experienced the dawning of my own reflective self-consciousness—the birth of a new “I” of God, if you will; and from that moment on I was separated from the un-self-consciousness of life and initiated into the divine mystery of my pre-destined purpose, which was to realize my essential nature through the natural evolution of my newborn reflective self-consciousness—“a bliss peculiar to each one by individual existence,” as John Keats expressed it in his letter “The Vale of Soul Making.”
Now that I had given birth to my own dawning sense of reflective self-consciousness, I became the author of my personal karmic destiny which was initiated by my newborn self-conscious will, however rudimentary; and from lifetime to lifetime, I grew and evolved through the natural process of karmic individuation until I was conscious enough in self-reflection to realize that there had to be more to life than what I experienced with my five senses; and I became a seeker of life’s purpose and meaning.
In one regression, I was brought back to ancient Greece where I began my quest for my true self as a student of Pythagoras, who taught the secret way of life; and in another regression I was brought back to my Sufi lifetime in ancient Persia where I tried again to achieve my destined purpose of realizing my true identity (what Jung called “wholeness and singleness of self” and Jesus called our “eternal life”), but I failed miserably by going out of my mind trying to live the teachings of a secret Sufi sect called The Order of the White Tiger, and I had to live a few more lifetimes before I had evolved enough to take up the secret way again, which I did in my current lifetime with Gurdjieff’s  teaching of “work on oneself.” And this brings me to the point of today’s spiritual musing—the paradox of free will and our destined purpose.
However questionable it may be (and there will be skeptics who will think I’m crazy), through personal experience I came to see that we all come from God as un-self-realized souls divinely encoded to become fully self-realized souls through natural evolution, and from the moment we give birth to a new “I” of God we become the author of our own karmic destiny and grow and evolve through karma and reincarnation until we have evolved enough to take evolution into our own hands and complete what Nature cannot finish; only then can we fulfill our destined purpose and realize our true self; but it took years of living the secret way to reconcile my personal karmic destiny with my pre-destined spiritual purpose, which I could not have done without divine guidance—hence the belief that was forced upon me by all the perfectly timed coincidences throughout my life that our life is choreographed by forces beyond our control, like the way I was introduced to the secret way of life with Gurdjieff’s teaching of “work on oneself.”
In my second year at university, I asked a fellow philosophy student who was going home to Toronto for the Christmas break to bring me back a book of his choosing from his favorite little book store; and for reasons which he could not explain, he brought me a book that he felt I had to read. The book meant nothing to him, but it changed the course of my life. It was In Search of the Miraculous, by P. D. Ouspensky, who was a student of the enigmatic mystic/philosopher G. I. Gurdjieff.
I’ve written about my relationship with Gurdjieff’s teaching in my books Gurdjieff Was Wrong But His Teaching Works and The Lion that Swallowed Hemingway, so I needn’t bother here; suffice to say that I have experienced the guiding hand of life many times in my quest for my true self (though I often didn’t recognize it until many years later), and to confirm my conviction that our life is choreographed by an omniscient guiding principle I’d like to share the latest miracle in today’s spiritual musing, the astonishing little saga of how we came to purchase our new 2015 Honda Civic LX; but before I do, let me explain what I mean by the secret way of life in light of my own journey of self-discovery…

Only now late in my life have I come to see how “Old Whore Life” (my metaphor for the shadow side of karma that I wrote about in Old Whore Life, Exploring the Shadow Side of Karma) continues to seduce the world with teachings, both ancient and modern, with exclusive claims to the secret way that lull believers into a spiritual stupor which inhibits their divinely encoded purpose of waking up to their true self, and I know this because I was  seduced by more than one of these teachings, starting early in my childhood with my Roman Catholic faith which contends that our immortal soul is created at the moment of human conception, that we only live one lifetime, and that Jesus died on the cross to save our soul from eternal damnation; and then with Gurdjieff’s colossal misperception that not everyone is born with an immortal soul but can create one if he knows how, which Gurdjieff did; and with the Buddhist teaching which contends that we do not have an autonomous soul self; and finally, with a teaching that I lived for more than thirty years which claims proprietary rights to the secret way by virtue of what it proudly calls the “Mahanta”, the Inner Master and Spiritual Leader of this New Age religion, marketed to the world as The Way of the Eternal.
In their own way, all of these teachings are true insomuch that life is an enantiodromiac process of our own evolution through the natural individuation of our being and non-being (our inner and outer self), and every teaching will over time give birth to its own opposite, but that’s far too abstruse for today’s spiritual musing; suffice to say that it took a long time for me to see that there is only one way to our true self, and that way is inherent to all paths in life, and I hope to illustrate this secret way with the curious saga of how we came to buy our new 2015 Honda Civic LX. But how the omniscient guiding principle of life led us to our purchase cannot be appreciated without explaining the divine logic of the secret way, which I would never have been able to grasp without the unbelievable experience of my seven past-life regressions.
I explained this in detail in my essay “On the Evolutionary Impulse to Individuate” in my book Stupidity  Is Not a Gift of God, so suffice to say that Divine Spirit,  the creative force of life that nurtures, sustains and guides souls back home to God, is the secret way that I came to call the omniscient guiding principle of life; and its divine purpose is to resolve the paradox of our personal karmic destiny and our pre-scripted spiritual destiny so we can continue on our journey to wholeness and completeness. And one way that the secret way of life speaks to us is by way of remarkable coincidences, like the kind Robert. H. Hopcke explored in his book There Are No Accidents, Synchronicity and the Stories of Our Lives. “Our lives have a narrative structure, like that of novels,” says Hopcke, “and at those moments we call synchronistic this structure is brought to our awareness in a way that has a significant impact upon our lives.”
Whether we are conscious of it or not, the choices we make in life create karma that has to be resolved; and whether we resolve it in our current lifetime or a future life does not matter—it has to be resolved, because it is the law of life. This is our personal karmic destiny that we forge with every choice we make; but our karmic destiny can only evolve us so far through the natural process of evolution, which is why the merciful law of divine synchronicity has to kick in to bring our karmic destiny into alignment with our pre-scripted spiritual destiny so we can fulfil our destined purpose.
This is where the secret way of life comes into play to assist us on our journey to wholeness and completeness, like it came into play in the contemporary poet David Whyte’s life when he was called to take up the path of writing poetry to realize his true self, which he explored in his autobiographical book Crossing the Unknown Sea, Work as a Pilgrimage of Identity and which I also wrote about in own memoir Do We Have an Immortal Soul? And more dramatic still, how it came into play in the incomparable jazz musician Herbie Hancock’s life while playing with the legendary Miles Davis.
Once experienced, the salvific energy of grace that synchronicity bestows upon one’s life can change the course of one’s karmic destiny, and young Herbie Hancock had come as far as his karmic destiny could take him on his musical journey through life; so, providence intervened with one of the most remarkable quirks of fate that one could ever experience on one’s path to their true self—a wrong chord that transformed Herbie Hancock’s musical career.
Herbie Hancock was in his early twenties, on stage playing the piano with the Miles Davis Quintet in a concert hall in Stockholm, Sweden in the mid-1960s, and “the band is tight—we’re all in sync,” he writes in his autobiography Possibilities, and they were playing one of Miles’s classics, “So What?” Herbie continues: “Miles starts playing, building up to his solo, and just as he’s about to really let loose, he takes a breath. And right then I play a chord that is just so wrong. I don’t even know where it came from—it’s the wrong chord, in the wrong place, and now it’s hanging out there like a piece of rotten fruit.”
And years later, in his autobiography the seasoned Herbie Hancock reveals how Miles Davis, who was himself an initiate of the secret way of life through music, took that “rotten piece of fruit” and built on it with the creative genius of his talent: “Miles pauses for a fraction of a second, and then he plays some notes that somehow, miraculously, make my chord sound right. In that moment, I believe my mouth actually fell open. What kind of alchemy was this? And then Miles just took off from there, unleashing a solo that took the song in a new direction. The crowd went absolutely crazy.”
It took Herbie Hancock years to understand what happened that moment onstage, which illustrates the spiritual alchemy of the secret way of life. In his mind, the young musician judged his chord to be wrong; but Miles Davis never judged it— “he just heard it as a sound that had happened, and he instantly took it on as a challenge, a question of How can I integrate that chord into everything else we’re doing? And because he didn’t judge it, he was able to run with it, and turn it into something amazing. Miles trusted the band, and he trusted himself, and he always encouraged us to do the same. This was one of the many lessons I learned from Miles.”
This is how an initiate of the secret way mentored a young musician to initiate himself into the mysteries of music so he could continue on his own path to wholeness, not as dramatic as what happened to the musical iconic and legendary bassist Victor L. Wooten, who tells the story of his own initiation into the secret way in The Music Lesson. A Spiritual Search for Growth Through Music; but Herbie Hancock’s story speaks to the synchronous power of goodness that came from a “wrong” note that shifted his paradigm and initiated him into the secret way of life that woke him up to his own path so he could fulfill his life through music; and this leaves me with one final point to clear up, and then I can relate the story of how we came to purchase our 2015 Honda Civic LX and bring my spiritual musing to closure.
I’ve gone to great lengths to show that our own life is the way to our true self, and whatever religion, teaching, or career path that we embrace can be a gateway to the secret way of life; but what I didn’t make clear is that it’s in how we live our life that initiates us into the secret way. This is what Gurdjieff taught me how to do. By “working” on myself with his transformative teaching, I learned how to live my life and wake up to the secret way that is inherent to all ways in life; which is how I came to see that our own life is the way to what we are destined to be, our true self whole and complete.
Herbie Hancock’s life was music, and Miles Davis taught him how to live his life as a musician to fulfill his life and destined purpose; that’s how Herbie Hancock initiated himself into the secret way of life through music, just as David Whyte learned how to live his life as a poet to initiate himself into the secret way of life through poetry; so it doesn’t matter which path one takes in life, as long as one knows how to live their life they will initiate themselves into the secret way of life and grow in their destined purpose.
The mystery lies in how we live our life, which took me many years to learn; and when all is said and done, this mysterious how depends upon our ability to bring our karmic destiny into agreement with our spiritual destiny, making one destiny out of our two destinies. That’s the secret way of every path in life, then; the wisdom, courage and commitment to keep our karmic destiny in co-operative agreement with the encoded purpose of our spiritual destiny, the inspired imperative of One Rule to Live By: Be Good, and which curiously enough speaks with symbolic imagery to what Penny and I experienced with the little saga of our 2015 Honda Civic LX, a life lesson that was forced upon us by the divine choreographer of life…

Penny and I did not choose to purchase our new 2015 Honda Civic LX, it chose us in that strange way that the omniscient guiding principle of life choreographs our life to assist us in our journey through life.
A Hallmark Representative for the past twelve years, Penny was working at the Real Canadian Superstore in Wasaga Beach; and having made an appointment to service our 2005 Honda Civic for the winter at Canadian Tire nearby, she was going to drop the car off and walk to the Superstore and pick it up later. I asked her to have new winter tires installed also, but when the mechanic put the car up on the hoist to do an oil change he noticed that the fuel lines were rusted and corroded, and the brake lines as well, and he told Penny to be careful braking because the brakes could fail at any time. In fact, he even cautioned her to not drive the car like that; so, Penny asked him for an estimate on new brake and fuel lines.
The mechanic came back from the office with an estimate of four thousand dollars, including service and new tires, which took Penny by surprise. The mileage on our car was 262000 kilometers, and the mechanic asked Penny if we had the timing chain replaced because at that mileage that would be the next thing to go. And then he said to her, “If it was my car, I wouldn’t pour that kind of money into it. It’s not worth it.” But he would fix it if that’s what she wanted. Then Penny called and asked if I was sitting down, and after she gave me the news we decided to wait on the service and discuss it when she came home.
It wasn’t a difficult decision, given that we had already just poured a thousand dollars into the car when we serviced it to go up north to attend to our triplex in my hometown of Nipigon and visit Penny’s family in Thunder Bay, and we decided to look at some used (or, as they say today, pre-owned) Hondas on the weekend; but a good pre-owned was almost as expensive as a new one, so we decided to bite the bullet and buy a new Civic instead.
Because the new 2015 models were already on the lot, we decided to buy a new 2014 model instead, because it would be a little cheaper; so, we arranged financing with Honda and made the deal. But we wanted a specific color, which they didn’t have on the lot, and the salesperson, a pleasant young woman who gave us one-thousand-dollar trade-in value for our old Civic, was going to bring one in from  an out-of-town dealer; but while waiting for our new vehicle to be brought in from a dealer in southern Ontario, our car broke down on her way to work in Wasaga Beach the following week, and Penny barely managed to pull into the Beer Store parking lot and park it because it was unsafe to drive.
She called me and I drove to Wasaga Beach with my work van, and then we called a tow truck and had the car towed to our Honda dealer in Midland; but because Penny needed a car for work, we decided then and there to purchase a new 2015 model off the lot, which turned out to be only a few dollars more for the monthly payments we would be making for the 2014 model; and, despite the breakdown of our car, the sales lady still honored the thousand-dollar trade-in for our old  Civic.
We waited while they serviced our new car, and when it was ready to be driven off the lot the sales lady went over the details and set the Blue Tooth for Penny’s cell phone; but when I walked around our new Honda Civic LX, I noticed our new license plate: BEWEL 262.
I loved the symbolic implications of BEWEL (in the language of life, it was telling us that everything was going to be well for us now); but when I shared this with Penny, she looked at our new licence plate and the number 262 jumped out at her instantly, and she said, “The mileage on our car was 262000. Our new plate is BEWEL 262. What do you think that means?”
I broke into laughter. “That’s even better yet. 262 is short for the mileage on our car when it died on you in the Beach, and the language of life is telling us that the spirit of our old car has incarnated into the body of our new Honda Civic and everything’s going to be well for us now. I know it sounds foolish, Penny Lynn; but good God, it feels good to get this kind of symbolic confirmation!”

———

I didn’t have to finish reading Peterson’s 12 Rules for Life to know where it was going. It was designed to reconcile one’s existential outer life with one’s essential inner life, just as the divinely choreographed experience of how we came to purchase our new 2015 Honda Civic that brought our outer life into greater harmony with our inner life and symbolically confirmed it by telling us that all was going to be well for us (until the next crisis); but I was looking forward to finishing 12 Rules for Life, because I loved watching how the good professor connected the dots to the perplexing riddle of the human predicament.
But try as he might, I also knew that he was stuck in the second stage of soul’s evolution through life. That’s why I was nudged to send him a copy of My Writing Life and The Merciful Law of Divine Synchronicity, because they spoke to my own individuation process through the third and final stage of personal evolution, and I felt my books might open him up to the omniscient guiding principle of life that secretly reconciles our outer and inner life.
This was my experience, and I didn’t expect anyone to believe me, least of all a critical research-oriented U of T professor of psychology and practicing psychotherapist whose own remarkable journey of self-discovery had taken him to the terrifying edge of the second stage of soul’s evolution but who was chomping at the bit to enter the third and final stage where the answer to the paradoxical nature of man’s existential predicament can be found; but, as Jesus said in his cryptic teachings of the secret way of life, the eye of the needle is difficult to pass through, and not many souls do. This is why my heart went out to the good professor, and probably why I was called to write this book, One Rule to Live By: Be Good…

Saturday, May 5, 2018

One Rule to Live By: Be Good, Chapter One: "Ask the Question, and the Answer Will Come"


INTRODUCING NEW WORK IN PROGRESS
 One Rule to Live By: Be Good

Inspired by Jordan B. Peterson, a clinical psychologist and U of T professor, a modern-day hierophant who spoke truth to power and refuted the amendment to Bill C-16 and was catapulted onto the world stage for his valiant defense of free speech and pushback to postmodern nihilism, identity politics, and political correctness. He is the author of the Amazon global bestseller12 Rules for Life: An Antidote to Chaos.. TODAY’S POST: Chapter One: “Ask the Question, and the Answer Will Come.”
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CHAPTER ONE

Ask the Question, and the Answer Will Come

          I wrote a book of poetry last year, Not My Circus, Not My Monkeys; and I opened my book with the following poem:
         
What the Hell
Is Going on Out There?

Hierophants of the world,
what the hell is going on out there?
Your antennae are out of whack,
and all you report is madness,
madness, and more madness, or
am I too blind to see?

Hierophants of the world,
tell me the truth, has the world
gone mad or is this some new sanity
beyond my ability to process
and understand?

Hierophants of the world,
I’ve lost all faith in religion, science,
and politics, but not in the better nature
of my fellow man, so please tell me:
what the hell is going on out there?

My poem came to me unbidden, nearly word perfect; but I wasn’t angry at the world when I wrote my poem. I was angry at myself for my inability to process and understand what the hell was going on out there. But my muse was good to me, and it offered me hope in the better nature of my fellow man; and time went by...
Little did I expect however that the answer to my angry question would offer itself to me in the better nature of a budding hierophant that I saw coming three years before he stepped onto the world stage with his surprising Amazon bestseller 12 Rules for Life: An Antidote to Chaos, a transplanted western boy from small-town Alberta by the name of Jordan B. Peterson, a clinical psychologist and U of T professor of psychology who began posting his lectures on YouTube five years ago where I “chanced” upon him while doing research for a book I was working on, which strangely enough was titled The Sign of Things to Come; but because I don’t believe in chance, I’ve put the word in quotation marks.
 I watched one of Professor Peterson’s lectures on C. G. Jung (Jung: Personality and its Transformations), and he made such a strong impression upon me that over the next few days I watched five or six more of his personality lectures; that’s when I knew that he was going to make his mark on the world one day. He had the right stuff.
In fact, I was so moved by his passion, intelligence and authenticity that I sent him copies of my books The Lion that Swallowed Hemingway and The Pearl of Great Price, because I knew that his own remarkable journey to “wholeness and singleness of self,” as Carl Jung described the goal of the individuation process, was leading him to the mysteries of  the secret way just as Jung’s own journey had led him, as he tells us in his commentary to Richard Wilhelm’s translation of the ancient Taoist text, The Secret of the Golden Flower:
“I was completely ignorant of Chinese philosophy, and only later did my professional experience show me that in my technique I had been unconsciously led along the secret way which has been the preoccupation of the best minds in the East for Centuries” (The Secret of the Golden Flower, p. 86; bold italics mine).
Like Jung, I also had found the secret way; and my heart went out to Professor Peterson. That’s why I sent him my books to read, in the hope that he might glean some insights from them that would lead him to the secret way also.
That was three years ago. Last year I was working on a new spiritual musing, which I normally post on my Spiritual Musings blog before publishing them in book form, but I hit a blank wall and did not know how to bring my musing to closure.
Though I’m always surprised when it happens, whenever I hit a wall in my writing the merciful law of divine synchronicity kicks in and offers me a way out of my predicament; that’s why I was “nudged” to watch Professor Peterson’s lecture on Jung again, and something the professor said was exactly what I needed to bring my musing to resolution, and it behooves me to quote my musing to illustrate how the secret way works in my life:

The Purpose of Art is Art’s Purpose

I don’t know why I was called to write this spiritual musing, but while working on another book this morning (The Sign of Things to Come) I wrote something that jumped out at me like a news bulletin from tomorrow, a hierophantic insight that was a remarkable confirmation of the theme of my new book on the sign of things to come but which called out to be explored in today’s spiritual musing, an insight that falls squarely into that dreaded category of dangerous spiritual musings that always scare me.
A dangerous spiritual musing can hit so close to home that it can nick the sacred bone of one’s life and come back to play nasty with me; but that, essentially, is the theme of today’s spiritual musing—daring to take the risk and cross the line into the unknown territory of the creative unconscious where the objective will of the creative principle of life and the subjective will of the author become one willful purpose, which brings to mind those famous words by the celebrated poet of The Wasteland: “We shall not cease from exploration /And the end of all our exploring /Will be to arrive where we started.”
From the earliest age, I wanted to be a writer like my high school hero and literary mentor Ernest Hemingway; but in grade twelve I read Somerset Maugham’s novel The Razor’s Edge and was called to become a seeker like Maugham’s intrepid hero Larry Darrell, and I spent many years exploring the sacred teachings of the world to find an answer to the haunting question of my life, who am I?
Happily, I found the answer to my question and my explorations brought me back to where I started, which was my desire to become a writer; and I wrote indefatigably to make up for all the years I had spent looking for my true self. And the more I wrote, the more I learned about the art of creative writing, until one day I discovered the secret that all great writers find eventually, like the inscrutable poet Emily Dickinson, and that’s the dangerous subject of today’s musing…

My life partner Penny Lynn joins me in my writing room for coffee every morning, and we talk about our dreams and other things and always about the book she brings in with her to read, and it’s surprising how quickly she can read a book in such a short time each morning before going to work; like The Selected Stories of Mavis Gallant, 887 pages long; Alice Munro’s The Love of a Good Woman; and the book she’s currently reading, John Updike’s Pigeon Feathers and Other Stories, and we talk about her impressions of the stories and the authors.
That’s how I gauge the quality of the books she reads, because I trust Penny Lynn’s judgment implicitly; and her impressions of John Updike’s writing confirmed Professor Harold Bloom’s indictment that Updike is “a minor novelist with a major style, hovering always near a greatness he is too shrewd or diffident to risk.”
Penny loved Mavis Gallant, and even more Alice Munro’s stories; but John Updike she could take or leave because his stories, though masterfully crafted and brilliantly written, did not leave a lasting impression.
“They fade away as soon as I read them. It’s like he never gets to the soul of his story,” Penny said to me, and I had to wonder why, because as much as I love John Updike for his brilliant style and uncanny mastery of le mot juste his stories faded away on me also, unlike Hemingway’s stories which left a lasting impression; but when I was given the insight for today’s spiritual musing, I knew why—which is why I felt compelled to explore it in today’s musing; and so, once again into the breach…

Creative writing is a mystical experience. Norman Mailer called it “spooky,” but he didn’t’ know why, and neither does any other writer that I’m aware of (except for maybe Emily Dickinson); but I resolved this mystery in my spiritual musings, because writing my musings brought to the fore the mystical element of creative writing, which proved to be the intelligent guiding principle of life that guides our creative unconscious but which has also been called “God within” by Emerson and “Spirit” by Wordsworth and other poets; and herein lies the danger of today’s spiritual musing, because it dares to bring God into the dynamic of the creative writing process which will be sure to raise a few eyebrows, literary and otherwise.
Without mincing words, then; I’ve come to see that ‘the generous Spirit that makes the path before us always bright’ as Wordsworth tells us in his poem “Character of the Happy Warrior,” which I made the ideal of my life, is the élan vital of life, and writers have the gift of tapping into the creative force of life with their writing. And herein lies the dilemma of the creative writer’s art, because tapping into the creative force of life incurs an inexplicable moral responsibility that can intimidate the most gifted writer, as it seems to have done the prodigiously talented John Updike.
Literary critic and Sterling Professor of the Humanities at Yale University, Professor Harold Bloom felt that John Updike was too shrewd or diffident to risk the greatness of his art, but he never explained why, which is what I feel I was called upon to explore in today’s spiritual musing; but to do so, I have to explain that the writer who does not work in willful harmony with the intelligent guiding principle of life will impede the flow of the creative process and damage the integrity of his art—like the novelist who controls his characters instead of letting his creative unconscious give them a life of their own so they can bring to light the archetypal truth of their story. “Art is the truth above the facts of life,” said the author of Out of Africa Karan Blixen, which our own Nobel Laureate Alice Munroe brought closer to home with aphoristic genius in her comment “Memoir is the facts of life. Fiction is the truth of life.”
I quote these eminent writers to make the point that the inherent purpose of art is to explore the truth of life. That’s why Hemingway began every story that he wrote with the truest sentence that he knew, upon which he built the rest of his story to satisfy his literary credo to “tell it the way it was.” But that’s not the whole secret of Hemingway’s art, because being true to “the way it was” does not always satisfy the creative process, as Hemingway learned when he experimented with his novel The Green Hills of Africa, a strait biographical account of his African safari with his second wife Pauline Pfeiffer which proved to be an artistic failure that taught Hemingway the lesson of his life that every great writer must learn and obey: it takes the miraculous power of imagination to lift one’s writing to the lofty heights of art.
Hemingway revealed his “secret” in his memoir A Moveable Feast, the final book of his life that he was working on just before taking his own life with his favorite shotgun in Ketchum, Idaho: “I was learning something from the paintings of Cezanne that made writing simple sentences far from enough to make the stories have the dimension that I was trying to put into them. I was learning very much from him, but I was not articulate enough to explain to anyone. Besides it was a secret.”
That “secret” made Hemingway a great writer. After licking his wounds for the artistic failure of The Green Hills of Africa, the resourceful writer used the same African safari experience to write two of his best short stories, “The Short Happy Life of Francis Macomber,” and my favorite Hemingway story “The Snows of Kilimanjaro,” which proved to Hemingway that the miraculous power of imagination was necessary to make art, thereby confirming what Adrienne Rich said about creative writing: “Poetry is an act of the imagination that transforms reality into a deeper perception of what is.” Hemingway gave his African safari experience to the guiding principle of his creative unconscious, and the deeper perception of his experience was revealed in his two remarkable stories that bared the wretched soul of his protagonists.
That’s how art is made. But as much as I understood how art is made, I could not quite give my understanding of the secret of art the clarity that it deserved; and then the merciful law of divine synchronicity kicked in to assist me, which was proof yet again of the intelligent guiding principle of life that I had learned to trust implicitly…

I started writing this spiritual musing yesterday morning, but I had to stop because I could not take it any further; it needed “something” to bring it to resolution, and as serendipity would have it, this “something” came to me when I was nudged later in the evening to go on YouTube and watch Professor Jordan Peterson’s lecture on Jung again, and something he said about art jumped out at me, because it was exactly what I needed to bring resolution to my spiritual musing.
As he gave a Jungian interpretation of the movie The Lion King to his students, Professor Peterson inadvertently revealed that certain “something” about the creative process that I needed to bring resolution to my spiritual musing: “Art cannot be designed for a purpose. The purpose of art is art’s purpose,” which is the secret of all great writing that I intuited to be the intelligent guiding principle of life.
Ironically, this is the mystical nature of the creative process that has been called spooky by Norman Mailer (and other writers, like Martin Amis), because no one understands how it works. But the psychologist Carl Jung intuited this secret in his essay “Psychology and Literature” in his book Modern Man in Search of a Soul: “The artist is not a person endowed with free will who seeks his own ends, but one who will allow art to realize its purpose through him. As a human being he may have moods and a will and personal aims, but as an artist he is a ‘man’ in a higher sense—he is ‘collective man’—one who carries and shapes the unconscious, psychic life of mankind” (Modern Man in Search of Soul, C. G. Jung, p. 169; bold italics mine).
Which implies that the creative process is the intelligent guiding principle of life that brings the truth of life into existence through the medium of the artist but which, as Hemingway and all great artists come to learn, can only be done when the artist engages the transcendent function of his imagination and transforms the reality of his experience into a deeper perception of that experience, as Hemingway did with his African safari experience when he wrote his two famous short stories, “The Short Happy Life of Francis Macomber” and “The Snows of Kilimanjaro.”
Being aware of the mystical nature of the creative process, I engaged my own imagination to transform one of the most private experiences of my own life: I flipped a coin to make up my mind for me. I did this for six months with every major decision of my life for the experimental purpose of “letting go and letting God.”  I did this to learn to trust my gut instincts, which proved to be very effective, and twenty years later I gave this experience to my creative unconscious to work into a story, and with the power of my imagination I transformed my experience of “letting go and letting God” into a deeper perception of my experience, and the truth of my experience became my magical realism novel The Golden Seed; so I know how this mystical process works. But what does it really mean to say that the purpose of art is art’s purpose? What is art’s purpose?
I could explore this until the cows come home, but the short answer is that art’s purpose is to bring to light the archetypal truth of man’s existence; and when an artist imposes his will upon the will of the intelligent guiding principle of the creative process he impedes the archetypal truth that the creative process seeks to bring to light; this separates the great artist from all the rest, regardless how gifted an artist may be, like John Updike who hovered near a greatness that he was too shrewd or diffident to risk.
Which means, if the logic of art holds true as I believe it does, that the greater the truth the intelligent guiding principle of the creative process seeks to bring to light, the greater the risk the artist will have to take; and, as the history of art tells us, only the very few dare to risk their all for the greater truth of their art, as Hemingway did when he bared his wretched soul in “The Short Happy Life of Francis Macomber” and “The Snows of Kilimanjaro,” and as Emily Dickinson did in her poetry that continues to baffle the world with the mystique of her “secret.” 

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            I continued watching Professor Peterson’s lectures and talks on YouTube with a growing fascination, because they were answering the angry question of my poem and satisfying my need to know what the hell was going on out there; and then the good professor was pushed to the edge by the pernicious forces of identity politics and political correctness and he took a courageous stand for free speech and spoke truth to power by refuting an amendment to the Canadian Human Rights Act in Bill C-16
After carefully parsing the legislation, Citizen Peterson did not view Bill C-16 as an egalitarian coda that would merely expand the list of prohibited grounds of discrimination to include gender identity and gender expression. In his view, being forced to use “preferred pronouns” amounted to “compelled speech,” and he flat out refused to use invented pronouns under government fiat; and he made two videos explaining his position and posted them on YouTube, and they went viral and catapulted him onto the world stage. And then he published 12 Rules for Life; An Antidote to Chaos, his well-reasoned response to the nefarious forces of postmodern nihilism and identity politics, and that launched him onto the global stage; and to everyone’s surprise, he became the heroic hierophant that the world was calling for.
          Time passed; and then one day I read an interview of Jordan Peterson by Christie Blatchford in the National Post (Saturday, January 20, 2018), and I was once again nudged by my oracle to send him a copy of My Writing Life, the sequel to my book The Lion that Swallowed Hemingway that I had sent him three years earlier, plus a copy of my twin soul book The Merciful Law of Divine Synchronicity (twin soul to my book Death, the Final Frontier), which I felt would help to satisfy the good professor’s Jungian longing for the guiding principle of the secret way of life—a terrible presumption on my part; but, like Socrates, I always listen to my oracle, and I sent the following note with my books:

Professor Peterson. Pardon my presumption. Please accept a courtesy copy of My Writing Life, a sequel to The Lion that Swallowed Hemingway that I was nudged to send you three years ago, and a copy of my twin soul book The Merciful Law of Divine Synchronicity which may excite your interest, given your passion and admiration for C. G. Jung.
Once again, I was nudged to send you these books upon reading your interview with Christie Blatchford in the National Post (Saturday, January 20, 2018), after reading Conrad Black’s column first, of course (I just love that man’s metanoic change of heart after his public humiliation and prison sentence), and the excerpt of your new book 12 Rules for Life: An Antidote to Chaos, because the thought occurred to me that being as Jungian as you seem to be you might be intrigued by someone who actually experienced what Jung called “wholeness and singleness of self,” it being that rare fruit of the individuation process. Incredible as it may seem, this was my experience; and I was nudged to send you these books to give you a literary insight into the life of an individual who actually satisfied the longing of his soul for wholeness and completeness. Again, pardon my presumption. But if you can find the time in your busy life to read them, I’m sure you’ll understand my reason for sending them; and I hope they give you inspiration for your own courageous individuation process.  

Respectfully,
Orest Stocco

More time passed; and on Saturday, March 17, 2018 I read a three-page feature article in the Toronto Star headlined, “Who’s Afraid of Jordan Peterson,” by Vinay Menon, and so moved was I by the good professor who had thrust his articulate sword into the heart of the nefarious beast of postmodern nihilism and its odious offspring political correctness with his Amazon bestseller 12 Rules for Live: An Antidote to Chaos and sold-out public talks which drew thousands of people hungering for the Logos and all the interviews across Canada, the United States, England, Denmark, and Australia that I heard a call from my muse (much louder than most calls) to write a book that would cut to the quick on the natural process of individuation and help resolve soul’s longing for wholeness and completeness, and the title that came to me by providential decree was: One Rule to Live By: Be Good, and being a servant of my muse, I went to my computer and began writing this story…

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 NEXT WEEK: Chapter Two: “The Imponderable Myth of My Life”