The Great Writer’s Dilemma
At the midpoint of his precocious life
at the age of thirty-six, John Hoyer Updike
wrote “Midpoint,” his summing-up poem,
concluding his confessional mid-life narrative
with the metanoic declaration: “Deepest in the
thicket, thorns spell out a word. /Born laughing,
I’ve believed in the Absurd, /Which brought me
this far; henceforth, if I can, /I must impersonate
a serious man.” And so serious did he become,
that just before passing over to the Other Side
at the age of 76 of stage four lung cancer, he
assembled and wrote his final book, “Endpoint
and Other Poems,” summing up his prodigious
life with the hopeful lines: “The tongue reposes
in papyrus pleas, /saying, Surely—magnificent,
that ‘surely’— /goodness and mercy shall follow
me all /the days of my life, my life, forever.” He
died with his antinomian faith intact, unresolved
of his dual nature, a “proper man” to the sad
end of his unfulfilled life. Nearing the endpoint
of my own life, time’s winged chariot draws
near; but I’ve resolved the divine paradox
of the great writer’s dilemma, and I have
no need to come back again.
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