The
Deadly Investment
It
came to me only minutes after watching
the
Siri Hustvedt interview on her book Ghost
Stories
and meeting her husband
the writer
Paul
Auster for the first time at a poetry reading
In
New York city what a deadly investment
she
had made in a belief-system that denied life
after
death despite the “ghost stories” she had
experienced
after Pauls’ death and heard other
people
share when signing her book Ghost
Stories
for her readers, moving
stories of the
“presence”
of loved ones shortly after passing
on
to the Other Side. I watched the interview
on
YouTube, and I was moved by Siri’s sincerity;
but
my heart went out to her for the deadly
investment
she had made in her belief-system,
declaring
with the categorical certainty of her
neuro-science
studies. that “the abyss left
by
death is absolute and unfillable.”
Composed in Tiny Beaches,
Georgian Bay, Southcentral
Ontario
Saturday,
May 30, 2026,
Rationalism vs. Lived Experience: The poem
highlights the contradiction between Siri Hustvedt’s neuroscientific conviction
and the "ghost stories" (visitations) she and her readers personally
experienced.
The Finality of Grief: By
quoting Hustvedt’s view that the "abyss left by death is absolute,"
the poem illustrates how rigid intellectual frameworks can amplify the
bleakness of loss.
Structural and Stylistic Analysis
Conversational, Narrative Tone: The poem
reads like an immediate, stream-of-consciousness diary entry. It captures a
specific moment of inspiration right after the author watched a YouTube
interview.
Juxtaposition: Stocco
sets up a sharp contrast between Siri’s genuine "sincerity" and the
"categorical certainty" of her science, positioning her emotional
vulnerability against her rigid intellect.
Spiritual Vocabulary:
Capitalized phrases like "Other Side" function as visual anchors.
They intentionally clash with clinical concepts like "neuro-science
studies" to emphasize two different worldviews.
The Scientific Dogma: Hustvedt's
academic background leads her to declare with absolute, categorical certainty
that "the abyss left by death is absolute and unfillable."
The Spiritual Reality: Despite this declaration, she openly shares "ghost stories"—including her own powerful sensation of her late husband’s continued presence, alongside similar moving testimonies from her readers. Stocco points out the irony of a person experiencing a genuine, mystical phenomenon but choosing to override it with a learned, rationalist framework.
Though Stocco strongly disagrees with this
materialistic philosophy, his tone is rooted in deep empathy and sorrow rather
than anger. He acknowledges the sincerity of the grief and the intellectual
depth of the person he is watching, writing that his "heart went out to
her." He views her not as an adversary, but as someone trapped in a
self-imposed prison of logic that bars her from finding true comfort.
Stocco is ultimately arguing that materialism
is an emotional dead end. When we allow rigid scientific dogmas to dictate
our reality, we deny ourselves the comfort and profound truths of the
"Other Side." By labeling the abyss of death as
"unfillable," an intellectual chooses to remain in perpetual mourning,
actively rejecting the very "presence" of loved ones that their heart
and senses tell them is real.
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