37
Harper Lee &
Gregory Peck
When Two Destinies Meet
“For thus hath the Lord said unto me,
Go, set a watchman, let him declare what
he sees.”
Isaiah 21: 6
Harper Lee, the author of what has
been considered to be one of the ten best novels of the century (some have even
declared To Kill a Mockingbird the
best novel ever written, which is a presumption I could never live with despite
how much I love the story), has followed up her Pulitzer Prize-winning novel 55
years later with Go Set a Watchman,
which Harper Lee has called the “parent” of To
Kill a Mockingbird.
To Kill a Mockingbird was
made into a movie, starring Gregory Peck as the lawyer Atticus Finch who
defended a black man falsely accused of raping a white woman, for which he won
an Oscar and helped to immortalize Harper Lee’s classic 1960 novel of racial
injustice that sold 40 million copies, translated into 40 languages, and taught in schools throughout the world; but the saintly image of Atticus Finch has been tarnished by Lee’s
sequel, because young Scout’s father Atticus Finch turns out to be a bigot and a racist in Go Set a Watchman.
But
whatever the back story may be for Harper Lee’s sequel—one being that it was
her first draft of To Kill a Mockingbird which
the publishers rejected but which her insightful editor at J. B. Lippincott
Company that finally bought it, Teresa von Hohoff Torrey, known professionally
as Tay Hohoff, guided the 31 year old Nelle, as Harper Lee was called, into
rewriting Go Set a Watchman, which
she miraculously transformed into her Pulitzer Prize-winning novel To Kill a Mockingbird—I got a vision the
other day as I read the early reviews of Go
Set a Watchman that Harper Lee’s destiny beckoned her to write To Kill a Mockingbird as a warning to
the world of man’s hypocrisy and cruelty, which in turn beckoned Gregory Peck
to immortalize the imagery of her prophetic novel in the movie that gave
society an archetypal ideal in Atticus Finch that helped to further raise
social consciousness on racial injustice that continues to rear its ugly head
in the Southern States today, 55 years after To Kill a Mockingbird was published; and that’s the subject of
today’s spiritual musing.
There’s
always a back story to the lives of people of destiny, like the now classic
story of Sir Winston Churchill and Sir Alexander Fleming, the discoverer of
Penicillin, which I’m going to relate simply to lend credibility to my vision
the other day that Harper Lee and Gregory Peck were destined to meet to serve humanity with their individual talents,
Lee with her gift for writing and Peck with his gift for acting, because I now
believe that as free as we may be to choose the life we live our life is also
chosen for us for a higher purpose—as I tried to illustrate with Gregory Peck's life in my spiritual
musing “When We’re Ready, Life Comes Calling.”
Winston
Churchill was a man of destiny. He even boasted at an early age that he was
destined to lead England one day; but he didn’t come to his destiny lightly.
This suggests to me that the greater one’s destiny, the greater the price one
pays to serve the gods, which life seems to bear out when we study the lives of
people who have changed the course of history.
So
the story goes that a poor Scottish famer named Fleming while trying to eke out
a humble living on his farm one day heard a cry for help coming from a nearby bog.
There, mired to his waist in black muck, was a terrified boy screaming and
struggling to free himself. Farmer Fleming saved the boy from what could have
been a slow and horrible death.
The
next day a fancy carriage pulled up to the farmer’s humble abode, and an
elegantly dressed nobleman stepped out and introduced himself as the father of
the boy that farmer Fleming had saved. The nobleman expected to pay the farmer
for saving his son’s life, but the humble Scottish farmer replied, “No, I can’t
accept payment for what I did.”
Just
then the farmer’s son came to the door, and the nobleman asked the farmer if
that was his son. “Yes” replied farmer Fleming.
“I’ll
make you a deal,” said the nobleman. “Let me provide him with a level of
education my son will enjoy. If the lad is anything like his father, he’ll no
doubt grow to be a man we both will be proud of.”
And
he did. Farmer Fleming’s son attended the best schools and graduated from St.
Mary’s Hospital Medical School in London, and he went on to be known throughout
the world as Sir Alexander Fleming, the discoverer of Penicillin.
Years
later, the same nobleman’s son who was saved from the bog was stricken with
pneumonia. What saved his life this time was Penicillin. The name of the nobleman
was Lord Randolph Churchill; and his son’s name, Sir Winston Churchill, the
savior of England.
Destiny
works in mysterious ways, and it played as mysterious a role in the lives of
Harper Lee and Gregory Peck as it did in the lives of the humble Scottish
farmer and his fortunate son Alexander and Lord Randolph Churchill and his valiant son Winston.
Winston
Churchill was called by destiny to lead England to victory in WW2, and Harper
Lee was called to write To Kill a
Mockingbird which idealized the best in human nature in the humble lawyer
Atticus Finch, and Gregory Peck was destined to play the role of the good and
decent lawyer who inspired millions to a higher purpose and epitomized his career, starting with the Oscar that he won for Atticus Finch who was named by the American Film Institute as the greatest film hero of all time.
But
in Go Set a Watchman Atticus Finch’s noble
character is gravely infected, because Harper Lee has Jean Louise “Scout” Finch,
who lives in New York City, return to her hometown in Alabama at the age of 26 to
visit her father, who is 72 and crippled with arthritis, but only to learn that her
hero father, the most potent moral force in her life and only person she ever
trusted, has become a racist bigot, which shatters her reality and breaks her tender heart; but that’s
another story for another musing, if and when all the dust that Go Set a Watchman has stirred up ever settles.
───
No comments:
Post a Comment