49
Chicken
Little Syndrome
And the World According to John Irving
“You don’t choose your demons, they choose
you.”
John
Irving
It seems ridiculously tenuous, the connection between the article that I
read on the novelist John Irving in Saturday’s Globe and Mail (October
21, 2015), and the thought that came to me for today’s spiritual musing, a
thought that’s been brewing in the cauldron of my mind for two or three years
now; but for some spooky reason, it made good sense to me.
I use the
word “spooky” in the sense that the American novelist Norman Mailer used it in
his book The Spooky Art: Thoughts on
Writing, because there’s definitely something spooky about writing; and
even though Mailer (or any other writer that I’m aware of) may not have figured
out what this spooky element may be, I’ve come to see it as that mysterious
force that works behind the scenes that I call “the omniscient guiding force of
life.”
But what
was it about John Allemang’s article on 73 year old John Irving, titled “The
world according to John Irving,” an obvious play upon Irving’s novel The World According to Garp that
launched his brilliant career, that
connected with the thought that’s been brewing in my mind for the past several
years, a disturbing thought that can best be expressed by what Chicken Little
frantically screamed when an acorn fell upon its head, “The sky is falling!”?
In his Globe and Mail article, 63 year old journalist
Allemang confesses that he was not a John Irving reader, and Irving’s latest
novel Avenue of Mysteries was the
first of his novels that he read because he was asked by his editor to
interview the best-selling author; so Allemang does some research on the writer
and reads Avenue of Mysteries and
comes away impressed by both the writer and the man; and even though I’ve only
read one of Irving’s novels, The World
According to Garp, I confess that I simply cannot get into this writer.
I’ve seen
two movies based on his novels, The Cider
House Rules and The Hotel New
Hampshire (the former was moving but the latter just did not work for me), I’ve
read the reviews of all his novels, and also read and seen a dozen or more interviews
of the author on You Tube; but there’s just something about the writer’s novels
and the man that I instinctively shy away from, and I could never figure out
why until I read Allemang’s article in the Globe
and Mail and the reviews of Irving’s latest novel Avenue of Mysteries that I went online to read, and it has to do with that tenuous connection that I made with Irving’s
world and the Chicken Little Syndrome, and this is the subject of today’s
spiritual musing…
I trust
my creative instincts, and when I’m given an idea for a spiritual musing I know
that I’ve just been blessed with another opportunity to expand my horizons on
the human condition; but for the life of me, I could not see where my Muse
wanted me to go with the tenuous connection between Irving’s literary world
view and the Chicken Little Syndrome, and I had no choice but to abandon to my
creative unconscious to work it out for me.
As it so
happens, one of the books that I’m currently re-reading is Edgar Cayce’s Story of Karma, by Mary Ann Woodward and introduced
by Edgar Cayce’s son Hugh Lynn Cayce, and when I came upon something that Edgar
Cayce said in one of his psychic readings I saw what my Muse was trying to tell
me with the tenuous connection between John Irving’s literary world view and
the brewing idea of the Chicken Little Syndrome; but I have to quote the
passage to make myself clear:
“While we
are all at different stages of development and may be working on different
lessons, we do not make much progress until we can recognize our problems as
opportunities. We begin to grow when we face up to the fact that we are
responsible for our trials and misery. We are only meeting self. Our
present circumstances are the result of previous actions whether long removed
or in the recent past. So if we are beset with problems, blame not God, for
they are of our own making. Our miseries are the result of destructive or
negative thoughts, emotions, and actions. We can avoid trouble and misery if we
live lives of noble thought and action” (Edgar
Cayce’s Story of Karma, pp. 219-220, bold italics mine).
In
effect, Cayce is saying that we can escape the prison of our karmic patterns by
living a life of noble thought and action; and something that Irving said to
Allemang, as he brings his interview with John Irving to closure, brought that
tenuous connection between Irving’s literary world view and the Chicken Little
Syndrome to light, because for me Irving’s novels epitomize what the short
story writer Katherine Mansfield said about writing: “Literature is not enough.” That’s why I shied away from Irving’s
novels, because my gut told me they would do nothing for me but take me deeper
into Irving’s world which led nowhere but back into itself, an endless literary
romp through karmic repetition that Irving reflects with his karmically flawed belief
that we don’t choose our demons, they choose us. As Edgar Cayce said, “We are
only meeting self,” which the mystic poet Rumi reaffirms: “If thou hast not
seen the devil, look at thine own self.” Hence Irving’s karmic connection with
Chicken Little’s fear, which Irving unwittingly revealed in another interview
at his home in Dorset, Vermont for his novel
In One Person with his
confession: “My novels are about what I’m afraid of.” Irving meeting Irving, if
you will; hence, the world according to
John Irving!
And to further
confirm this tenuous connection between Chicken Little’s fear and Irving’s
literary world view, here’s what he said to Allemang about himself: “As a
writer, I don’t know if I got any better at anything, but I know I got slower.
If you have any doubts at all, just wait and do something else. It’s never not
happened to me that something you put away and take out again, when you take a
second, a third, a fourth, and fifth look at it, you see possibilities you
didn’t see before. At the very least you see something you can fix.”
The
recurring criticism of Irving’s latest novel Avenue of Mysteries was the recurring motifs of earlier
novels—orphans, dogs, strong women, transvestites, Catholicism, abortion,
circuses, and writers as characters—as if he was looking for “possibilities”
that he did not see before and exploit them for his new story, which in this
case happens to be his new novel Avenue
of Mysteries; and if not mine them for more literary gold for his new story,
perhaps “fix” them for more literary merit—confirming my gut feeling that
Irving’s literary world view is a closed system with no way out; which
validates what Mansfield said about literature not being enough to satisfy the
longing in our soul to be all that we are meant to be. But how exactly does
this connect with my brewing idea of the Chicken Little Syndrome?
The
Chicken Little Syndrome is a phobia of dread born of a mistaken belief that catastrophic
disaster is imminent, and dangerously contagious today given what’s going on in
the world—devastating climate change and terrifying social strife, to name the
most obvious; that’s why Chicken Little runs around screaming “The sky is falling!” And as tenuous as
it may seem, that’s what Irving’s literary world view silently screams at me
with its spiritually moribund perspective on life that he re-creates in Dickensian
“sprawling, phantasmagoric, elaborately imaginative, hilariously excessive even
as they rendered unbearable pain” novels, conjuring in my mind a ghostly literary
image of Edvard Munch’s The Scream. There’s
no doubt that John Irving is a masterful writer who creatively reflects the
anguished desperation of modern man and loved by many who share his fears, but
he’s just not my cup of tea.
───
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