36
Dinosaur Man
Dinosaur Man is
dying,
not of disease or
hunger,
but of fear of
letting go
of his dinosaur body;
and as he gasps for
air
he screams in anger
and
rallies his strength
to
stay alive. But Dinosaur
Man cannot stop the
flow
of time, which is a
cosmic
function, and as his
body
quickens with the higher
frequency of service
to life
and not himself he
fights
to hold onto his power;
but time speeds on, and
one day, hopefully
sooner
than later, Dinosaur
Man
will be an artifact.
37
The Poet’s Mystique
What does the poet
know
that the rest of the
world
doesn’t?
Why does the world
flock
to poets for the
right
sentiment?
And why are poets
so difficult to understand
until we probe them?
Not everyone loves
poetry,
but those that do
cannot
get enough of it, —
Why is that?
38
Bob and Carol
They made a truce
again
to not argue the
whole day;
but the more wine
they drank,
the more contentious
they became.
My mother made fried
patties
with left-over
mashed potatoes,
which I loved dearly,
and I made
fried patties with
left-over rice
and mashed potatoes
too.
The evening was
getting on,
and the wine was
running low,
so Penny went into
the house
and got more wine
and a plate
of my rice and
potato patties.
Bob and Carol are long
retired,
and look for things
to do;
Carol goes out shopping
every day,
and Bob stays home
and fiddles
about with little projects.
Couples argue for no
apparent reason
other than to be
right in their opinion,
and the more Bob and
Carol drank
the more contentious
they became
over my fried patties.
“They’re made with mashed
potatoes,”
contended Bob, who
was born to be right;
and to hold onto her
precious ground
Carol downed her
wine and countered,
“They’re made with cooked
rice.”
They broke their
truce again that day,
as they fought for
their opinion;
and when I told them
that my patties
were made with left-over
risotto rice
and mashed potatoes,
they failed
to see the irony.
39
My Stolen Book
GREAT SHORT STORIES
FROM THE WORLD’S
LITERATURE, and stamped inside the front cover
of the book: Property of Nipigon Red Rock District
High School,
which I stole five decades ago.
I love books, and I never
tire of collecting them,
especially books on great
literature, my favorite
passion; but I failed
to see why I was so possessive
of the books I gathered
like a greedy hoarder.
Penny finished
reading the book she had picked up
on her weekend getaway
to New York City with
her two sisters, REPORT FROM GROUND ZERO, and
she went through my
library and selected the book
I stole in grade
twelve for her next read.
“These are the best
of the best,” I said to her, with a
strange feeling of
nostalgia; but when I went back
to work on my new poem,
I felt a storm brewing inside
me. Not knowing what
it was, I poured this feeling into
“Bob and Carol” and ensouled
my poem with its own
mystery—the gnostic
secret of great literature.
Penny read the first
two stories this morning, “The
Passover Guest” by
Sholom Aleichem, and “A Passion
in the Desert” by
Honore De Balzac, and she enjoyed
them as much as she enjoyed
Alice Munro that I had
introduced her to
when she won the Nobel Prize for
Literature in 2013,
and this didn’t surprise me.
But a weird feeling came
over me when she showed me
the duct-taped copy of
my stolen book this morning, and as
I walked down the
stairs for my second cup of coffee it hit
me why it bothered
me for her to read GREAT SHORT
STORIES FROM THE
WORLD’S LITERATURE.
It wasn’t my stolen
book that I fetished, nor the enviable
artistry of the great
short stories, but their hidden treasure;
and the idea of her reading
my stolen book threatened me,
not for the precious
life wisdom of the stories, but for my
fear of her discovering
in them my most coveted secret
which I spent a
lifetime ferreting out like a blind mole
in the soul of the
world’s great literature.
40
Master of Broken Boundaries
Surfing the channels
on TV one night I saw
the title Another Woman, which I had seen
before; but I was so
intrigued the first time
that I decided to
watch it once more.
I hate Woody Allen,
who has mastered the
art of broken
boundaries; but he wrote
and directed Another Woman, and I have
nothing but respect
for his artistry.
It’s not so much his
cloying angst, which grows
more peevish with every
new movie that he
makes, that
exasperates me; but his seductive
sense of unbounded willful
selfishness.
“The heart wants
what the heart wants,” Allen
justifies his personal
ethics, which he projects
upon the screen of
life, and he quotes Nietzsche
and Jean Paul Sartre
to support him.
Jena Rowlands is the
other woman in the move
Another Woman,
reflecting Allen’s recurring theme
of broken
boundaries, and the story breaks when
Rowlands sees her
stupefying self-deception.
But that’s the
secret of Woody Allen’s longevity,
his wanton exploitation
of man’s vulnerable nature;
and not until this
peevish little man respects moral
boundaries will I ever
stop hating him.